back 1998: Our first digs were the infamous Mirador Mansions, then Rent-a-Room in Jordan. The insanity so deep that The Bee started wearing disposable underwear on her head. Credit: Adam.
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pics | back 1998 :: 1
back 1998: Nina and I basically didn’t have a single clue when we hit Hong Kong. This could be one of the few times we’re smiling so broadly – Chinese New Year 1999. Credit: Unknown.
Kernot blah blah | Metior
* I’m not certain this was by me. I really can’t recall! It’s got elements of my style, but I’d bet Alison Humphry had a huge red hand in this.
Beasts of Bourbon
Interview with Brian Hooper
There is a song called Fake on the new Beasts of Bourbon album, titled Gone, which has Tex Perkins screaming ‘don’t know myself, don’t own myself, I’m a fake’. The power, venom and dirge of the Beasts’ traditional blue-collar sound permeates Perkin’s personal attack on himself, Fake being a song which could well be his retaliation to anyone critical of this, the seventeenth year of the Beasts of Bourbon’s collective mindset.
Dinosaur Jr, Sunday September 28, 1997
Metropolis Perth
For the many kids who saw the end of the pop and pulp Countdown generation mutate into the all-embracing Rage regeneration, Dinosaur Jr has alway signified low-brow indie rawk and roll. In its early years, ABC TV’s Rage would screen the video of Dinosaur Jr’s Freak Scene every weekend as the epitome of US college radio’s adoration of long haired, lo-fi guitar discordance, a saturation which most loud Australian bands in the past decade can trace direct descendency from.
Alice Cooper, Friday September 5, 1997
Perth Entertainment Centre
The tendency for withering rockers to beef up their shows with awesome explosions, technological diversions and improbably large inflatable farm animals is the norm in this age. The fact that we see none of it on this tour simply reiterates that this was Alice Cooper’s nightmarish gag twenty four years ago and he would now rather let the Marilyn Mansons of the world set the pace in cheesy theatrics.
Gloria Estefan and Miami Sound Machine, Monday March 31, 1997
Burswood Superdome, Perth
One would have thought that Gloria Estefan had far outgrown the Latino strut and golden shimmer of Miami Sound Machine. Still technically their lead singer, she has overshadowed the big Florida party band sound with her solo accolades and through the synthesiser-swelled conservatism of love balladry and tales of broken hearts.
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Silverchair, Thursday March 27, 1997
McGilvray Oval
Through the tiny window of opportunity that ‘grunge’ opened for simple youth bitterness, Newcastle’s silverchair (mind the non title case punctuation, they like it that way) was Australia’s gift from the great Kurt Cobain in the sky. Recorded while the members were just fifteen years of age, frogstomp, silverchair’s debut album, went on to platinum sales in the US, Australia and New Zealand. With album number two, Freak Show, already following the former’s trajectory, their motives and talent became blazingly clear during their sermon to 6,000 kids in Perth last week.
AdVitriol | Pelican
(insert at end: Trademark (©) symbols have been added to references that are probably covered by copyright, dead peoples’ estates or simply for a further belch that any culture’s language is not free from commercial plunder)
pics | back 1990s :: 12
back 1990s:
Sleepy Bee. Troll doll Bee. At a friend’s country home in Coolup before hitting that other great metropolis, Hong Kong, September 1998.
Credit: Adam.
