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Fugazi, UWA Refectory, November 10, 1996

If ever there was a reason to scoff loudly and pee on a concert ticketeer’s window due to the extravagance of today’s entry prices, Fugazi provided the body-warm ammunition for any number of forthcoming events. Hailing from Washington DC, their instant accessability was guaranteed with a $15 fee, their firm grasp of independence and identification with the kids being graciously returned with an 800-strong all-ages audience.

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AC/DC, Saturday November 2, 1996

Burswood Dome

Was accompanied by one of those famous The Australian cartoons of a slobbering Brian Johnson and Angus Young at 2/3 of the broadsheet’s page. In color in the Eastern States.

Brian Johnson, lead vocalist of arguably the world’s greatest rock and roll band, AC/DC, knew just how to whip this parochial crowd into rousing air-punching. “Here is a song written in Perth, about Perth, by a guy born in Perth.” The song was The Jack, and for a 20,000 strong crowd fully aware that they inhabit the late Bon Scott’s birth and final resting place, who cared that the song he was refering to was a tale of venereal disease? They were proud.

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Tumbleweed; The Mark Of Cain; The Fauves, Planet, October 27, 1996

Sue/Ara, could you fill in the name of TMOC’s bass player, I can’t recall who he is! Ta.

With the stretch marks and face imprints still fresh on the walls from Saturday night’s Tumbleweed, The Mark Of Cain, The Fauves and Motorspirit doorbuster, Sunday instead saw both crowd and band members brush shoulders in a mutual appreciation of each other.

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Sting, Saturday October 19, 1996

Perth Entertainment Centre

REDRAFT. For inclusion in The Australian, Tuesday October 22

Firmly and forever entrenched on the conservative FM airwaves through his distinguished solo career and those heady days with The Police nearly twenty years ago, Sting is still musing on affairs of love and continues to send his now middle aged, middle class audience’s hearts aflutter.

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Mr Bungle, Metropolis, October 18, 1996

From the look on the majority of the pimply bogan boys’ faces at the close of Metropolis on Friday night, Mr Bungle had done their job: confusion, utter confusion! Because as the fans of Mike Patton’s other band, Faith No More, spent their cash expecting to see more of the same flaccid and accessible muzak, Patton and the scary jazz beast that is Mr Bungle just left them cussing and thinking that the onstage wiring was faulty. Ha ha ha!

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Underground Lovers – Ascending for Now

Having been on the receiving end of widespread dancefloor hugging and acclaim for each of their last few albums, Underground Lovers’ lead singer Vince Giarrusso tells ADAM CONNORS how they pulled out of the record company apparatus for their new album to keep their sound as pure as their swirling, sweeping sounds.

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The Spinanes’ Rebecca Gates

Warm, generous in mirth, ensconced in simple riffery … Rebecca Gates, the once fanzine editor, record store clerk and college radio gun from Portland, Oregon, is certainly ‘chuffed’ about the peculiar rise of her now-jetsetting outfit, The Spinanes.

“Chuffed? Yeah, chuffed is a great word for what has happened!”

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Lush – Lush Life

In the period of English music fondly remembered as ‘shoegazing’, Lush trailblazed with their distinctive multi-layered female vocals hugging and caressing all in their path. In 1996 they have returned and bass player Philip King tells ADAM CONNORS how their sound survives after the downfall of most of the early 90s supergroups.

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