Jeepers Creepers, How Did We Get These Peepers? | That Magazine
We like to watch. But while we sometimes may not like to be watched, which wanton watching are we worried with?
one fellow's political coverage, music ramblings and general hijinks across decades under a range of guises at several locations often in a state of awe.
We like to watch. But while we sometimes may not like to be watched, which wanton watching are we worried with?
(insert at end: Trademark (©) symbols have been added to references that are probably covered by copyright, dead peoples’ estates or simply for a further belch that any culture’s language is not free from commercial plunder)
Metropolis Fremantle With the demography of their audience swinging wildly between conservative listening-led folk canoodling their partners and dancefloor-bound style councillors hip to the remix craze sweeping the Anglo world, Everything But The Girl could hardly please everyone all of the time.
Moore Park Sydney For iZine, 20 January 1997 The event had already been described weeks earlier as “the must-have ticket in Australia today”; the venue: a peculiar tent and paddock arena where the Circus Oz gymnasts set each other alight each night; the cost of it all: the gross national product of several African states.
Interview with Lisa Gerrard I was dressed in pyjamas when I first confronted Dead Can Dance – the imagescape of 1993’s Baraka was flowing over me with The Host of Seraphim, from Dead Can Dance’s 1988 tome, The Serpent’s Egg, invading my soul. The theatre was full, but I think I had been standing throughout … Continue reading “Dead Can Dance, Capturing the Spiritchaser”
folks, here are 10 of the bands from the line-up. fill in the gaps by inserting The Tearjerks, Externals and Challenger 7 where you think they fit in the narrative. sorry, it’s quite long, but it is afterall ten bands and there is some extra stuff about Dirtbag and Atmosfear for CD launch/going away reasons. … Continue reading “interview | The Big Day Out ’96 – Local Line-up”