one fellow's political coverage, music ramblings and general hijinks across decades under a range of guises at several locations often in a state of awe.
In the period of English music fondly remembered as ‘shoegazing’, Lush trailblazed with their distinctive multi-layered female vocals hugging and caressing all in their path. In 1996 they have returned and bass player Philip King tells ADAM CONNORS how their sound survives after the downfall of most of the early 90s supergroups.
Interview with Donna Matthews When Elastica brushed, nay slapped, the testosterone from the stage at the various Big Day(s) Out this year, they had the Britpopping punters lapping at the railing for any number of reasons.
Fronted by the twin guitar and alternating sweet and scolding vocals of Miki and Emma, Lush produced some defining moments of the shoegazer/Britpop era. Bassist Phillip King reflects on Lush’s rocky ride (1996; 13 mins)
The Electric Mistress CD launch was always going to be huge – you could tell by Spank’s collective fingers bitten to the quick and the poster glue on their clothing. And as Spank guitarist Sam Hobbs jigged at the side of the stage to Beaverloop with over five hundred punters in the house, you could … Continue reading “Spank; the Eidelweiss Dance Troupe; Cinema Prague; Beaverloop, Fly By Night, June 1, 1996”
“Whatever people say about our music, I would say that you can always hear a melody running through our songs, no matter how spastic the rhythm ideas may be!” I read this remark by Ash Bowie before confronting him myself. They seemed to be the words of someone clinging to hope, a faint hope that … Continue reading “interview | Polvo (1996) – Interview with Ash Bowie”
From its beginnings in the bedrooms and clubs of teenage whizz-teen James Lavelle, the Mo’Wax label is the definitive futurescape of jazz and hip-hop beats fusion. As the Mo’Wax Headz tour hits Planet on Saturday, January 6, ADAM CONNORS dusted off his grotty sneekers and spoke to Mark Ramos Nishita, aka Money Mark, on the … Continue reading “interview | Money Mark and the Mo’Wax Headz (1995)”
Revline – Rawkus seconded by bridesmaid I packed my flannelette skivvy and leather earplugs for this, the return gig by the ex-‘loudest pub band in the world’, Rawkus. With a new lead singer, bass player and a rumoured ‘more melodic sound’, the crowd were primed for what was to eventually become pretty unspectacular.
